1. James Bonaventure Hepburn ( Golden Virgin ) - 1616
2. Johann Baptist Grosschedel von Aicha ( Calendar ) - 1582
2. engraved by Théodore de Bry ( Calendar ) - 1620
3. Touzay Duchanteau ( Philosophical Map ) - 1775
Because of a reprint of François Mely's 1922, the set is called the Golden Virgin (or Golden Rod ) but it is nevertheless a composite work : the first two plates, composed by James Hepburn , are the Virga Aurea itself. The last three, called the Perpetual Magical Natural Calendar, are the work of Johann Baptist Grosschedel von Aicha for the theory and the engraver Théodore de Bry for the execution, so it is earlier: from 1582 if we are to believe the indication it is provided with in the lower right corner.
The date is accompanied by the name of Tycho Brahe, to whom the work was then attributed, but this is more likely - if not an honorary attribution - an improvement of one of his calendars than one of them strictly speaking. We also feel the influence of authors such as Agrippa or Paracelsus.
This is followed by a work by Touzay Duchanteau which appeared in Brussels in 1775: Carte Philosophique et Mathématique . According to the author, it is a correction and amplification of the Golden Virgin in the light of illuminist masonry . It includes reproductions of engravings by Fludd in his influential Des Deux Mondes.
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Quote of the Day
“Take a Metal pure, and purged of all its dross, whose Spirit recedes in its secret part, and being pressed with a great weight, lives privily, and desires to be released from bands, and to be sent out of prison to Heaven, being spread into thin plates. The same in Chrys. lib. 1. Seek not the principles of Gold and where else: for in Gold is the seed of Gold; though being close shut up, it retires further, and is to be sought by us with tedious labour.”
Augurellus
2 Chrysop
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